Of Art and Plunder: Why Black Curators Are Still Shut Out of the Art World—and Why It Matters

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In the movie Black Panther, the first person we see Erik Killmonger confront is a white museum curator. Contemplative and curious, Killmonger gazes at a series of African artifacts—his locs, denim jacket and designer combat boots thrown into sharp relief by the female curator’s prim, blond cut and dark suit. He…

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